“Many people play their instrument in an extraordinary way. However, music is something else. That gift, that grace, Leonardo Gell has it. He is able of transmitting that impalpable mystery of music.”
Ibero-American Prize of Music Tomas Luis de Victoria
“To listen to Leonardo Gell interpreting my music is like listen to myself.”
National Prize on Composition Aquileo Echeverria (Costa Rica)
“Leonardo Gell offered the rerelease of the Gran Sonata for piano by Alfredo Diez Nieto. The score had been kept for years without listening live and met on Leonardo Gell the ideal interpreter. And when I speak about ideal o ideals, I don’t mean just to the resounding text or the virtuosity displayed on a work that is fundamental in the historic creation on the instrument on Cuba. Leonardo Gell, with creativity and precise sense of equilibrium, made the presents discover the greatness of the author. His recital was the act of an artist who, very firmly, will always surprise us.”
University of the Arts (Cuba)
"The intensity and complexity of the proposal incarnated in the interpretation of Leonardo Gell and the National Symphony Orchestra, directed by maestro Enrique Pérez Mesa. Gell has stood out for the passion with which he deciphers and communicates the codes of the authors of our time and, in a very particular way, the work of Camacho."
Pedro de la Hoz
Granma Newspaper (Cuba)
“His sonority is magnificently beautiful.”
Julliard School of Music
“It seems like Mozart wrote that Sonata (Kv. 280) to be played by Leonardo Gell.”
Westminster Choir College of Rider University (United States)
"Leonardo Gell returned to his beloved concert hall of the Minor Basilica of the Historic Center of Havana, to present the Piano Ritual album, and a kind of sonorous procession took place where he elevated the krónos to the stature of the kairos. The pianist overturned the time in a ritual that could not happen at a more opportune moment: Leonardo Gell exhibited himself as a solid and conceptual interpreter, sensitive and vibrant."
"The very difficult interpretation of a work with so impressive development (Sonata dall’ Inferno by Marvin Camacho) received one of the ovations of the night, so comminatory, that a single gesture from Gell was enough to reveal the audience an encore. And again he amazed with his pertinent choice, it was Aldo López-Gavilán’s “A mi hermanito lindo”, a soft piece, delicate and melodic, which introduces an intimate and subjective retreat that fades the overjoyed passion awaken by Camacho’s work. And the young cuban pianist left the stage in the middle of applauses that were of the highest recognition.”
"Leonardo Gell is the relay of Cuban pedagogy in Latin America."
University of the Arts (Cuba)
The Cuban-Costa Rican pianist Leonardo Gell has achieved more of fifteen interpretation prizes among: Great Prize and Prize Chamber Music on Cubadisco Fair (2016), Golden Prize on April Spring Festival (Korea, 2009), First Prize on Unión de Escritores y Artistas de Cuba National Chamber Music Competition (2008), Great Prize and Prize Concert Soloist on Cubadisco Fair (2008), Third Prize on Ciutat de Vinaròs International Chamber Music Competition (Spain, 2008), First Prize on Amadeo Roldán National Piano Competition (Cuba, 2004), First Prize on Musicalia National Chamber Music Competition (Cuba, 2007 and 2008), First Prize on Musicalia National Piano Competition (Cuba, 2002) and Third Prize on María Clara Cullell International Piano Competition (Costa Rica, 2002).
Since 2005, Leonardo has been developing an active career as a concertist, performing on scenarios and festivals in America, Europe and Asia: April Spring Festival (Korea); Festival Internacional de Piano y Canción Latinoamericana and Festival de Música de Cámara de Aguascalientes (Mexico); Festival Internacional de Música Contemporánea de La Habana and Festival Leo Brouwer de Música de Cámara (Cuba); Festival Internacional de Música Clásica Sonata (El Salvador); Costa Rica Piano Festival, Encuentro de Pianistas Costa Rica, Sax Fest Costa Rica Internacional, Festival Internacional de Clarinete de Costa Rica and Seminario de Composición Musical (Costa Rica); Encuentro del Colegio de Compositores Latinoamericanos de Música de Arte (Cuba and Costa Rica); Festival de Música Académica Latinoamericana and Festival Internacional Música Clásica por los Caminos del Vino (Argentina); Festival de Piano de Panamá; The Music of The Century International Festival (Lithuania); among others. He has also perfomed in Switzerland, Spain and the United States.
Ever since his debut as a soloist at 19 years old with the National Symphonic Orchestra of Cuba, he has also been invited by the symphonic orchestras of Santiago de Cuba and Camagüey; chamber orchestras of Havana, Nuestro Tiempo and Música Eterna; Camerata Romeu; Vila-seca Chamber Orchestra (Spain); symphonic orchestras of Heredia and Cartago (Costa Rica); and University of Costa Rica´s Symphonic Orchestra and Band; with conductors as: Guido López-Gavilán, Iván del Prado, Enrique Pérez Mesa, Joan Pagès, Roberto Valera, Fernando Marina, Zenaida Romeu, Alejandro Gutiérrez, Guillermo Villarreal and Eddie Mora, among others.
Leonardo’s repertoire counts with more than 50 absolute premiers, many of which have been dedicated by Leo Brouwer, Juan Piñera, Marvin Camacho, Alfredo Diez Nieto, Yalil Guerra, Susan Campos, Julián de la Chica and others composers. Worth to emphasize Concierto No.1 Iniciático for piano and symphonic orchestra and Concierto para piano, cuerdas y percusión, both by Marvin Camacho and premiered in Costa Rica’s National Theater (2012); De profundis - Concert for trio and orchestra, by Marvin Camacho, premiered with Symphonic Orchestra of Heredia on Costa Rican’s National Auditorium (2011); Variantes, coral y leyenda for trio and string orchestra, by Guido López-Gavilán, premiered with Música Eterna Chamber Orchestra (2011;) the Complete works for violin, clarinet and piano trio, by Juan Piñera (2011); and Paisaje cubano con historia for violin, clarinet and piano, by Leo Brouwer, with the composer conducting (2010).
He has also made several national premieres, including: Nocturnos de la Antequeruela for piano and string orchestra, by Antón García Abril (Vila-seca Chamber Orchestra, Catalonia, 2011); Suite Caribeña for piano and string orchestra, by Roberto Valera; RinoSONoronte for piano and string orchestra, by Alejandro Cardona; Fantasía No. 1 for piano and symphony orchestra, by Marvin Camacho; Concierto para piano y orquesta de cámara, by Alberto Villalpando (Heredia Symphonic Orchestra, Costa Rica, 2013, 2015 and 2016); Concierto No. 1 Iniciático for piano and symphonic orchestra, by Marvin Camacho (Cuba National Symphony Orchestra, 2013); and Rapsodia Negra for piano and band, by Ernesto Lecuona (University of Costa Rica Symphonic Band, 2014).
In chamber music, his duos stand out with clarinetist Dianelys Castillo (recitals in Cuba, Costa Rica, Argentina and Mexico), violinist Evelio Tieles (recitals in Cuba, Spain and Costa Rica), saxophonist Sofía Zumbado (recitals in Costa Rica, Cuba and Mexico) and the violinist Erasmo Solerti (recitals in El Salvador and Costa Rica, with whom he performed the Complete Sonatas for violin and piano by Beethoven, in 2015). In 2007 he founded the Trío Concertante with clarinetist Dianelys Castillo and violinist Fernando Muñoz, recognized among the best Cuban ensembles. The Trío Concertante marked a precedent in Cuban chamber music based on its international awards. Composers from several countries formed a catalog of almost 30 works written especially for the group. In 2018 he founded in Costa Rica, together with other colleagues, the Ensamble Eco, dedicated to the exploration and diffusion of contemporary music.
Leonardo has also collaborated with other musicians such as Antón García Abril, Tania León, Michel Arrignon, Philippe Cuper, Andrés Posada, Ivette Cepeda, Eliane Reyes, Jose White String Quartet, Antonio Saiote, Alejandro Cardona, Gabriel Campos, Milagros de los Ángeles, Carlos Céspedes, Cuauhtémoc Rivera, Darío Martín, Manuel Matarrita, Ana Catalina Ramírez and Alejandro Martínez.
His discography with Colibrí label includes the DVD Mozart en La Habana (presented in the Mozart's House in Salzburgo during the Mozarteum Festival 2008 and achieved the Great Prize and other three prices by categories on the Cubadisco Fair 2008); 2 CD's Capricho Cubano (acknowledge by the Juventud Rebelde Journal among the most relevant musical events of 2012 in Cuba and gave to Alfredo Diez Nieto the Cubadisco Prize 2012 to Best Composer of the Year); CD-DVD Piñera-Concertante (Cubadisco Award 2013 nominee on Chamber Music category); CD-DVD Caribe Nostrum (La Ceiba-Colibrí | Great Prize and Chamber Music Prize on Cubadisco Fair 2016); CD Piano Ritual with music by Marvin Camacho (Cubadisco Award 2017 nominee and ACAM Costa Rica Award 2018 nominee); and CD Havana (Alegna Music Productions, Miami) with music by Leonardo Curbelo. Gell has been part of CD’s Presagios, Caminos, Historias propias and Nosotros (UCR); Rituales y Leyendas, Salmos cotidianos and Estrenos en Concierto (RYCY Productions); Desde las entrañas de mi tierra (ACAM); Abstracto and Fuego (Heredia Symphonic Asociation); and Plegaria (music by Eddie Mora).
Leonardo also recorded the soundtracks for the movies El premio flaco (Cubadisco Prize 2012 for Best Soundtrack) and Chamaco, both from director Juan Carlos Cremata. He has been on documentaries as well: Contar la música: Alfredo Diez Nieto, Juan Piñera-Trío Concertante, Tres mitos para una noche: Alicia Alonso, Rudolf Nureyev and Victoria de los Ángeles, Salmos cotidianos, and Sinfonía Cubana (Cubadisco Special Prize 2018).
As a music producer, Leonardo has been involved in the albums Retratos, Rompiendo moldes, Abstracto and Fuego (Symphonic Orchestra of Heredia), Salmos cotidianos, Las memorias de Sibö and Piano Ritual (music by Marvin Camacho), Havana (music by Leonardo Curbelo), Benjamín Gutiérrez: su música and Música de Compositores Costarricenses Vol. I (Costa Rica´s National Symphonic), the last album was nominated for the Latin Grammy Award 2014 in Best Classical Music Album category.
As a teacher he has worked at the Amadeo Roldán Conservatory (Havana, 2005-2009), Manuel Saumell Conservatory (Havana, 2005-2008) and the University of Costa Rica (from 2013 to present), where he served as Section Coordinator of Piano at the School of Musical Arts (2015-2019). His students have obtained numerous laureates in Cuba, Costa Rica, Panama, United States and Lithuania. He has offered master classes and conferences at the Lyceum Mozartiano de La Habana, Manuel Saumell, Esteban Salas, José White Conservatories and Raúl Gómez García Vocational Art School (Cuba); National Autonomous University of Mexico, University of the Arts of Aguascalientes and Autonomous University of Zacatecas (Mexico); El Salvador Arts National Center; University of Panama; National M. K. Ciurlionis School of Art (Lithuania); guest teacher of the IX Palmares Piano Camp (Costa Rica) and VI Musicalia International Piano Festival (Cuba); and resident teacher of the XIII Aguascalientes Chamber Music Festival (Mexico). He has also been a member of the jury in competitions held in Cuba, Costa Rica, Panama, Mexico and Lithuania.
Born in Havana on March 1st, 1986, Leonardo Gell received the top honors by concluding his studies on the Manuel Saumell Conservatory (Best Graduated, 2001), Amadeo Roldán Conservatory (Golden Degree, 2005) and Havana's University of Arts (Golden Degree, 2010), in which he studied piano with Faina Braginskaya, Hortensia Upmann, Teresita Junco and Ulises Hernández. He completed his Master's Degree at the University of Costa Rica (Honors Graduation, 2017), an institution that twice awarded him the Diploma of Academic Excellence as Best Average of the Postgraduate in Arts and of the Professional Masters in the Arts and Letters Area (2015). He is currently pursuing the Academic Doctorate in Studies of Society and Culture at the University of Costa Rica. He has received master class with Jerome Lowenthal, Salomon Mikowski, Jorge Luis Prats, Frank Fernández, Cecilio Tieles, Yleana Bautista, Ninowska Fernández-Britto, Antonio Carbonell, Roberto Urbay and Aldo López-Gavilán.